Marlys Wohlenhaus was an animated, energetic eighteen-year-old girl. Then, one afternoon, everything changed. She should have been safe working at the town restaurant. She should have been safe in her own home. She should still be alive today. But in May 1979, Marlys became the victim in every parent’s most horrific nightmare.

At once a gripping story and an in-depth look at the grief of losing a child, Justice for Marlys relates the true account of a serial killer, Joseph Ture Jr., who slipped past the law again and again during a three-year-long crime spree. It was Ture who brutally murdered Marlys Wohlenhaus in her own home. John S. Munday, the husband of Marlys’s mother, reconstructs the murder and the seventeen-year investigation that led to the capture and conviction of Ture, allowing the reader to explore the horror, obsession, dedication, and finally the peace that he and his wife experienced in the search for and eventual conviction of her daughter’s killer. Justice for Marlys generates suspense and sympathy as Munday recounts how Marlys’s case was solved through the efforts of the victim’s tenacious family, supportive news media, and persistent investigators.

 Munday gives readers a terrifying sense of the unimaginable grief and despair in the hearts of those who lose a child, yet he also shares his intensely personal exploration of the resilience and power within the human spirit.

John S. Munday is an intellectual property attorney who lives with his wife Fran in Isanti County, Minnesota. He is also the author of Surviving the Death of a Child, a contributing editor for Grief Digest, and a member of the board of directors of the Other Side Magazine.

Since the nineteenth century, museums have kept their artifacts in glass cases to better preserve them, and drawings and photographs have become standard ways of presenting the past. These practices have led to an archaeology dominated by visual description, even though human interaction with the surrounding world involves the whole body and all of its senses. In the past few years, sensory archaeology has become more prominent, and Making Senses of the Past is one of the first collected volumes on this subject. This book presents cutting-edge research on new theoretical issues. The essays presented here take readers on a multisensory journey around the world and across time.

In ancient Peru, a site provides sensory surprises as voices resound beneath the ground and hidden carvings slowly reveal their secrets. In Canada and New Zealand, the flicker of reflected light from a lake dances on the faces of painted rocks and may have influenced when and why the pigment was applied. In Mesopotamia, vessels for foodstuffs build a picture of a past cuisine that encompasses taste and social activity in the building of communities. While perfume and flowers are examined in various cultures, in the chamber tombs of ancient Roman Palestine, we are reminded that not all smells are pleasant. Making Senses of the Past explores alternative ways to perceive past societies and offers a new way of wiring archaeology that incorporates the senses.